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Yesterday, in the Sala Casella Accademia Filarmonica Romana, in the 47th Festival "Romantik" in New Consonanza , was held a concert "Tribute to Beat Furrer ". The concert was starring the prestigious " Algorithm" Ensemble "instrumental group specializing in performing modern music and contemporary art, conceived and directed by Marco Angioni rod. The program tracks the important Swiss composer, in this room, Beat Furrer:" Lotòfagos "for soprano and bass, "Spur" for string quartet and piano, and "Air" for soprano and ensemble. considerable interest from the public for the songs in the program, audio and television footage edited by Radio Three and Sky Classic. of great charisma and the baton of Marco Angioni professionalism, excellent organization of the New Consonance.
The concert was directed by Marco Angioni, and had the participation of soprano Livia Rado. The ensemble was made up as follows: Marco and Marco Fusi Rogliano violins, viola Gabriele Croci, Paul Andriotto cello, bass Dario Calderone, Roberta Gottardi clarinet, piano Ciro Longobardi, Flavio Tanzi percussion.

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Rome LUNID Orchestra, the Capitol and the University La Sapienza Rome

Tuesday, December 15 and Wednesday 16 took place in Rome two concerts of Lunid (Free University of Human Rights), directed by Federico Longo and with the participation of the soloists at the Luigi De Filippi violin and soprano Mariella Guarnera, respectively, in the beautiful hall of the Capitol and in the main hall of the University La Sapienza.

Excellent public participation in the program and effect, consisting of music by Elgar and Alard (Fantasia for violin on themes from La Traviata) in the first part, Respighi ("Il Tramonto" for mezzo-soprano and orchestra, very impressive) and Britten in the second. Strong and expressive Longo's wand, the violin virtuoso De Filippi and touching voice of Guarnera. Finally, the project absolutely noble humanitarian concert at the base of the university, in support of health projects Ethiopians.

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, Fortefestivalpiano 2010, Tribute to Adria

Yesterday, at the spaces of the Pontifical Theological Faculty of Seraphicum of Rome, there was the concert "Tribute to Johan Baptist Vanhal , Czech violinist and composer, contemporary of Mozart and Haydn (who also played with many firsts). The concert, contained within dell'interessantissimo " Fortefestivalpiano " 2010 edition, included the Variations on a Theme of Mozart with the flute, an air chamber ("In this dark tomb"), a beautiful Quartet in F higher (conducted by Lorenzo Fabiani and Roberto Baldinelli the violins, the viola and Paul Anthony Bossone Andriotto on cello), a Divertimento for double reeds, and finally the Symphony No. 22 in D minor Periodic. The evening was preceded by a short introduction by Silvia musicological Scotland. Absolute value of the artistic director of the festival by Michael Senzacqua.

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Vanhal, the Teatro Comunale, Schumann: Bernecoli, Andriotto, Bianchi

Yesterday, at the Teatro Comunale di Adria (RO), took the opening concert of the cycle dedicated to the bicentenary of the birth of Schumann and Chopin, organized by the Conservatoire A. Buzzolla of the city. In the first concert, entirely devoted to Schumann, the protagonists were Emy Bernecoli violinist, pianist Massimo Giuseppe Bianchi and Paolo Andriotto.

The evening began with a brief introduction of Director of the Conservatorio di Adria Elio Orio, followed by the first sonata for violin and piano by the great German author, and the evocative "Funf Stucke im Folkstone" (Five pieces in folk style) for cello and piano, ending with the Fantasiestücke op .88 for violin, cello and piano, a small jewel for the trio of the many fantastic pieces schumaniani. Extraordinarily large audience also appreciated by the encore, the "Night", a masterpiece by Schubert, again for piano trio.
( photo: Franco Cordella )

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Messina, Puccini: Tabarro, Mascagni: Cavalleria Rusticana

The cloak of Giacomo Puccini (one of the most beautiful and refined of the Tuscan composer), for the first time ever performed at Messina, and Cavalleria rusticana of Peter Mascagni (particularly close because the imagery comes from the Sicilian novel and drama of the same name by Giovanni Verga ) launched Tuesday, Oct. 26 (repeats 28 and 30) the musical season of the Autonomous Regional Theatre Messina. It is a co-production between the EAR Foundation and the Opera and Symphony And Petruzzelli Theatre in Bari, with the direction the teacher Vito Clemente (who conducted the Orchestra del Teatro Vittorio Emanuele) and Michele Mirabella , well-known face on television, directing.

During the press conference, Superintendent Paul Magaudda wanted to thank the employees of the Theater and has also put considerable emphasis on increasing the number of subscribers for both posters in: "A completely different result to that obtained, even from large theaters in other Italian cities. Membership of our fellow citizens comforts us and gives us the enthusiasm necessary to accomplish the enormous work involved in a season so full of titles and events. "

The artistic director, Lorenzo parents, explaining why the coupling of these two titles ( The cloak is the first of Puccini's Trittico, then go into scene Suor Angelica and Gianni Schicchi ), focused on the works recalling how desperate are the representation of love and also announced the murder. To this have been described as "works veristic" "But - he added - if we go to slightly raise the crust in Tabarro will notice tonal and harmonic atmosphere worthy of Mallarmé and Debussy, and even if Cavalleria rusticana it is more indulgent than allude to paint, there is always a goal of wanting to highlight to the point of creating a representation of a second level, so as to make it more intriguing and unsettling than a simple oleography could do. "

Michele Mirabella , although from the point of view the most popular is known for her appearances on the small screen, has a long record as a director of opera: it has exceeded twenty. It is presented as follows: "Today, everyone loves to invent, I think La Boheme set in a brothel, but it's the music that counts and if there is the hand of Mascagni or Puccini or Verdi, you must set the ' work at a time when these great minds have thought so myself as a modern and unconventional director, because they are traditional. For example, this will Cavalleria rusticana a philological reading impeccable Verga's drama that, musically, including Mascagni's fine. The staging is great, I love Rubertelli and is a great honor for me to enjoy its scenery. "

The master Vito Clemente insisted on the musical quality of the two works: "I Tabarro The use of musical instruments - he said - is very sophisticated, there is great skill composition and is abundant use of recurring themes as the river, love and adultery, often presented alone or in combination. It would then wrong Mascagni if \u200b\u200bit dealt only with great momentum in her writing, because the techniques are new Cavalleria rusticana for the time. Here too, the instrumentation is very refined and the orchestra is an absolute hero. "

absolute value of the cast of singers, starting with the baritone Carlo Guelfi (Michele will The cloak , Alfio in Cavalleria ), continuing with soprano Cristina Piperno (Giorgetta and Santuzza), the Russian tenor Badri Maisuradze (Luigi and Turiddu) Francesco La Spada and then , Todaro Salvo, Antonella Colajanni and Stefania School. The Choir "Francesco Cilea 'of Reggio Calabria is directed by Bruno Tirotta .

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Friday, October 15 20:00 ITALY - CROATIA

ITALY - CROATIA

Set n ° 1 - 25: 15
Set n ° 2 - 25: 20
Set n ° 3 - 26: 24


Final Result: team wins the 'ITALY for 3 sets to 0 set

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Friday, October 15 17:00 RUSSIA - SERBIA

RUSSIA - SERBIA

Set n ° 1 - 22: 25
Set n ° 2 - 25: 21
Set n ° 3 - 25: 21
Set n ° 4 - 25: 16


Final Result: of Russia won the team for 3 sets to 1 September

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Saturday, October 16 15:00 SERBIA - CROATIA

SERBIA - CROATIA

Set n ° 1 - 25: 19
Set n ° 2 - 25: 21
S et n ° 3 - 22: 25
Set n ° 4 - 25: 20

1, Referee Mark Cerquone
2 nd Referee CIRO Falivena

Final Result: SERBIA won the team for 3 sets to 1 September

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Saturday, October 16 18:00 ITALY - RUSSIA

ITALY (European Champion) - RUSSIA (World campoine)
September
No. 1 - 25: 23
Set n ° 2 - 15: 25
Set n ° 3 - 25: 14
Set n ° 4 - 22: 25
Set n ° 5 - 17: 19

1 st 2 nd Referee ARMANDO Simbario
referee Fabio Bassan
In the field ITALY
3 GAZZARA
11 ORTOLANI
PICCININI
12 14 15 OF THE WHITE
CORE
17 GIOLA
SIRRESSI 19 (FREE)

Final Result: The team of Russia for 3 sets with 2 set

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Sunday, October 17 15 hours: CROATIA 2000 - RUSSIA

CROATIA - RUSSIA

Set n ° 1 - 26: 24
Set n ° 2 - 21: 25
Set n ° 3 - 22: 25
Set n ° 4 - 14: 25 September
No. 5 - 00: 00

1 st Referee: Gabriele Balboni (TO)
the 2nd referee: Mark Cerquone (TO)

Final Result: team wins by 3 sets to 1set RUSSIA AND STATUS AS AT 1 POST
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Sunday, October 17 18:00 ITALY - SERBIA

ITALY - SERBIA - Qualification to 2nd - 3rd place of the Edison Challenge Cup Alassio 2010 -

Set n ° 1 - 25: 21
Set n ° 2 - 25: 14
Set n ° 3 - 24: 26
Set n ° 4 - 24: 26
Set n ° 5 - 08: 15

1 st 2 nd Referee ANDREA Puecher
Referee LUCA Sobrero

FIELD FOR ITALY
4 Crisanti
9 JULY 11
ORTOLANI
14 THE WHITE
BOSETTI
16 17 19 GIOLA
SIRRESSI (FREE)

Coach Massimo Bartolini

Final Result: SERBIA won the team for 3 sets with 2 set

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Turin, Teatro Carignano, "In the wake of the Risorgimento"

Yesterday at the beautiful Teatro Carignano, located in the heart of Turin, was held a concert called "In the wake of the Risorgimento " held to celebrate the 150 ° unification of Italy.
The concert, organized by educational section of the Accademia Nazionale di Santa Cecilia in Rome, is contained in a range of Italian events that will affect not only the city of Turin, Genoa, Naples and Rome. The concert was preceded by an introductory meeting held by the historian Prof. Lucio Villari, professor of contemporary history at the University of Roma Tre, and the musicologist John Bietti, who wisely pointed out how the unification of both Italy been done before by a musical point of view in politics. The evening saw the famous protagonist Marco Angioni Director (Founder of the algorithm) together with singers and instrumentalists belonging to the circuit of alumni and students of courses of the National Academy of Santa Cecilia in Rome. The Ensemble has performed in some real parts of the Overture and the most famous arias of Rossini and Verdi repertory, performed by talented soprano Rosa Feola, Anna Goryacheva mezzo-soprano, tenor David Giusti, Sergio Vitale baritone. Excellent audience participation.

The instrumental ensemble was composed: Silvia
Mandraffino flute and piccolo, and Ida Irene Gianolla Apollonius oboes, Alfredo Graziosi and Massimo Munari clarinets, bassoon Francescopaolo Balestrieri, Jorge Manuel Fuentes Arce horn, piano and keyboard Mentuccia Joseph, Julian Knight Carbone and Margaret violins, viola Carolina Paez Leon, Paolo Andriotto cello, bass Emiliano Amadori.
A special thanks to the excellent organization of the event organized by the education secretary of the National Academy of Santa Cecilia.

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Rome, FPP, Fairy Tale of Tom Thumb with actor Sergio Bonometti

In the splendid setting of the historic Piazza Immacolata di San Lorenzo, was held yesterday the representation of the tale of Tom Thumb: the first event of an intense program designed to enhance the ' ancient Roman quarter, which provides opportunities for communications and meetings. The tale of Tom Thumb, represented by the cellist and actor Sergio Bonometti Andriotto Paul, was a significant point of departure made by Patrizio Paoletti Foundation .
a moment to convey through a fairy tale so rich in meaning a clear message of proactivity and commitment: these are the fundamental characteristics of those who must confront the daily challenges always finding new strategies.
The event was followed with great participation from the entire square, and not only by children who are absorbed with their looks were for all of us an example of commitment and ability to listen, but also from numerous public speaking for the occasion .

Thanks: Regione Lazio, the council president in the person of Darius III Marcucci,
the Councillor for Culture and the School Valentina Grippo, and the Managing Director Hall III Alfredo married, Patrizio Paoletti Foundation for having conceived and created this event with great professionalism and deep understanding of the value of relational communication, the Association of IES for their efforts in the area, the many volunteers Foundation Paoletti, who walked every street and visited every store and every workshop of the district, all schools, principals, the teachers and parents of many children present, the cooperative Trefor, who found a space in a program established long ago, the Carabinieri RGPT on leave, which voluntarily watch over the safety of all, the Association Made in San Lorenzo, the parish priest in front of his father John, Paul and the two artists Andriotto first cello in the orchestra symphony of Messina, and Sergio Bonometti - actor mime-class and national - have been cut out from their busy schedule on Sunday, proving once again their sensitivity to the educational efforts of our Foundation, the director and the technical staff of BluPixel, all the artisans of the third City Hall, where the event was dedicated spirit, but above all we want to send a special THANKS to the many children who packed the square, all their fans with them to this small, large capacity model Tom Thumb!

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Closing Festival of San Biagio, Cello and Accordion duo

Yesterday at the church of ' Monastery of San Biagio, Nocera Umbra, beautiful final concert of the festival season of the same name. The proposed program was the same as the last concert of Sperlonga, and Bach-Vivaldi and Marin-Mares, run by the now established duo Cello and Accordion Anriotti-Lo Russo. In the audience that local authorities have repeatedly stressed in a speech closing the concert and the value of the initiative, in a time of change and cultural situation of Italian music and more.

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Sperlonga, Cello and Accordion duo

last night in the beautiful town of Sperlonga has played the concerto for cello and accordion with Paul Andriotto and Marco Lo Russo, as part of review cultural events PRIZE Grotta Di Tiberio, 2010, under the patronage of the Senate, the Chamber of Deputies, the Prime Minister, the Ministry of Heritage and Culture, the President of the Lazio Regional Council, and of course the City of Sperlonga and the Province of Latina. Program to great effect all Baroque, Bach Sonata for Viola da Gamba and original harpsichord, Vivaldi sixth sonata for cello and bass, Marin Mares variations of "The Madness".

The concert, held at the Old Church of Sperlonga, was preceded by an interview on "The pendulum of bioethics", with the participation of Francesco Paolo Casavola, President Emeritus of the Constitutional Court and the National Committee of Bioethics at the Presidency of the Council of Ministers.

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Taormina with the first absolute: Taggeo, Poce, Betta and Morricone

Great cultural program during the season Taormina Arte 2010, with a whole evening of contemporary music, with music by some of the most popular Italian composers today. It has been four small works in concert form, respectively, "Jack Kerouac" by Antonio Poce, "Averroes" by Marco Betta, "Hawks" Albino Taggeo and finally "Scattered Epitaphs" by Ennio Morricone, all executed by a team selected directed by Govanni Fur, in a concert held last night at the Palazzo dei Congressi in Taormina.
The team, called "r-Evolution Art Ensemble" was composed as follows:

Soprano Maria Chiara Pavone and Emy Spadaro, Angelo Villari Tenor, Baritone Davis Greiner, First Myriam Dal Don violin, second violin of Flavia Tomasso, Massotti Lorenzo Viola, Cello Paul Andriotto, bass Massimo Ceccarelli, Paolo Totti Flute, Clarinet Arbonelli Guido, Sax Enzo Filippetti, Francesco Buccarella Piano, Percussion Frank Bonacci and James Virgili, the brilliant narrator Giovanni Fontana. Pictured above with Paul Andriotto Taggeo Albino and the violist Lawrence Massotti the bottom after the concert, in the hall of the Palazzo dei Congressi in Taormina during the construction.

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Turandot, Taormina Greek Theatre, Orchestra Teatro Vittorio Emanuele di Messina

Sold out the first of Turandot by Giacomo Puccini (more than 5,000 people!) Held last night at the wonderful Theatre Taormina Greek . The effects of light created by director Enrico Castiglione of the brave, in turn festival's artistic director of Taormina Arte-, have sparked a sort of time machine so reviving the three-dimensional world of ancient China. The effect of this technique has been accentuated by the sparkle of costumes by Sonia Cammarata. Excellent cast of artists, which was the heart of this evening to remember, accompanied by the orchestra of the Teatro Vittorio Emanuele of Messina, expertly directed by Maestro Fabio Mastrangelo. The blaze is gone, finally, Francesca Patanè together and chill in the role of the royal princess Turandot, Dario Volonte in bold Prince Calaf, a passionate part of the Clare Taigi Liu, Aldo Ursu in Pang, and Pong to Maximilian Chiarolla in which Leonardo Galeazzi Ping, Francis Heller D'Artegna as Timur, in which Renato Cazzaniga Altoum Antonio Barbagallo and in Mandarin. Also appreciated the chorus lyric "Francesco Cilea" directed by Maestro Bruno Tirotta and choreography edited by Rita Colosi. Replica tomorrow night August 10 at 21.30.
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24 cellists of the Dolomites with Mario Brunello

an exceptional event, last Saturday, July 24, none other than the dawn at the foot of the mountain in the Dolomites near Castellazzo Passo Rolle, part of the program of the International Festival "Sounds of the Dolomites, with 24 cellists the extraordinary presence of Mario Brunello greet the sunrise. An unexpected audience participation event with over 1500 people came from everywhere, lying on the grass listening to the sounds produced by the unusual magic orchestra, came the night despite the weather (rain and violent storms) and cold (6 ° C and wind) that would make everything more complicated, but certainly no less impressive ..

A moment of great music, with works by Bach, Mozart, Dvorak, Strauss, Sollima, Tavares and others, but also above all a moment of emotion, friendship, and perhaps because no transcendence.

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Anthea String Trio, Festival of San Biagio, Nocera Umbra

last night in the splendid church of ' Monastery of San Biagio in Lancaster City (Nocera Umbra, PG), took the opening concert of the fourth edition of the Festival of San Biagio , musical review led by capable and artistic director Mirko Fava Anna Villani. For the inaugural concert was called the String Trio Anthea, Flavia Di Tomasso team consisting of the violin, Lorenzo Sbaraglia the viola and the cello Andriotto Paul, who in concert last night he played Beethoven's masterpiece of the trio No. 3 in C minor, Op 9, followed by the first trio in A minor by Max Reger. The two works, which contain within them all the characteristic features of the poetics of the two great masters, were highly appreciated by the large crowd rushed to the concert, including the Mayor of Nocera Umbra come for the occasion. After the concert, in celebration buffet of exquisite recipes created on the basis of local specialties: beer monastic monastery of San Biagio .

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Avigliano Umbro, Duo, Trio, Quartet!

Friday, July 2 at the Teatro Comunale di Avigliano Umbro was held the performance of teachers of string instruments Music of the campus, in the figures of Lorenzo Fabiani Paul Andriotto violin and cello, with the collaboration of Lawrence on viola and Michael Beath Senzacqua the piano.
The evening's program was diverse and large impact on the audience, which began with the trio for Piano, Violin and Cello by Haydn Hob. XV: 25 (containing the final with the Gypsy Rondo), continued with the famous Passacaglia by Handel in the nineteenth century virtuosic version for violin and cello by Johan Halvorsen, and ended with Beethoven's masterpiece of the Quartet op. 16 (transcribed for brass quintet by the author). The room was full of course, as well as outside guests, of the course students who have not hesitated to show their affection for teachers, with warm and affectionate applause.
(soon will put a picture of the concert is currently not available)

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Avigliano Umbro, Campus Summer Music 2010

From 22 June to 3 July 2010 was held in the beautiful setting of the small town of Avigliano Umbro the Campus Music summer organized by the Accademia Musicale Clivis of Rome. The campus has had a large participation of boys, mainly from Lazio, but also from Umbria, Campania and Veneto. The campus was divided into two major teaching, the course for juniors (which he saw as regards the participation of the strings on violin and Paul Lorenzo Fabiani Andriotto on cello) and a master class with prestigious names, including Sciancalepore Antonio on bass, Claudio Veneri the fortepiano, Fabio Fasano on guitar. Ended with a final very impressive with the wise guys in the final of the lovely town of Avigliano theater, there was ridati appointment all next year.

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Peccioli (PI), Archaeological Museum, Cello Harp

Peccioli was held yesterday at the Concert for Cello and Harp duo of Paul Andriotto - Marianne Gubri , within the beautiful setting of the Museo Archeologico Etrusco . The space, converted in part from the catacombs of ancient Etruscan origin, with a beautiful natural acoustics that allowed the sweet sounds and wrapping ensemble dell'atipico to resonate for museums. Occasion were presented arrangements of the first sonata for cello and bass Benedetto Marcello and 'Après A Rêve by Fauré, followed by original music by F. Bellini, A. Hasselmanns, and LMTedeschi C.Saint-Saens. Just run the famous song of "Swan" author of the latter, he introduced the choreography of the talented Sara Vannelli etoile who crowned the highly successful show. The impeccable organization of the event, curated by artistic director Simon Valeri .

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ballet "Coppelia", Messina

Three shows the last 30 April and 1 May 2 and held at the Teatro di Messina with the famous ballet "Coppelia" by Leo Delibes, under the direction of the young (and talented) Salvatore Percacciolo. The ballet-pantomime, based on a Hoffmann story, is set in a village in Galicia, Poland. L? Action revolves around Coppelia, the mechanical doll preferred by the mysterious clockmaker and toymaker Coppelius. The music continues to waltz motifs and themes of popular expertly organized and assembled by Delibes, which has created what is considered a masterpiece of its kind. big applause for the first dancers, Mathilde Froustey and Alessio Carbone and the whole cast. More information can be found by clicking here . In the photo shown here are the cellists of the Teatro di Messina portraits in the pit orchestra!

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Ravel_De Falla, Messina, Orchestra del Teatro Vittorio Emanuele

Beautiful performance last night at the Teatro di Messina by Carlo Palleschi driving orchestra of the Teatro Vittorio Emanuele, in staging one-act opera "L'Heure Espagnole" and Maurice Ravel's ballet "El Sombrero des tres Picos" by Manuel De Falla.
a difficult test for the orchestra in two pieces, the first marked by delicate tonal balance required by the score, the second from the orchestral virtuosity. Undoubtedly, two little masterpieces of their kind, admirably directed by Carlo Palleschi, considered one of the most popular directors of the theater orchestra. A curiosity: in place of the scenes was made a projection of animations, found a novel way of bringing even the younger audience to classical masterpieces. In the video below you can appreciate the production .. performances tomorrow and Sunday. (Photo: Carlo Palleschi and with the first violinist Fabio Lisanti)
Click here for the article in the Corriere della Sera
Click here for video of the show